A few years ago, I found myself in a stranger’s home when she was not there. I looked into her shower, checked the knobs on her stove, walked the path from the front door to the garage where the washer and dryer were kept. “What do you do?” the landlord asked me. I told him I was a journalist, and he said another writer used to rent this place. Based on various descriptors, I was sure it had to be Jennifer Egan, who had just been teaching at a nearby college. I hadn’t given it much thought until recently, when I was assigned to review The Candy House, her new novel. Had I been in the very rooms where the author conceived these pages I was now tasked with evaluating? It was as if I had been t
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