Tolstoy’s entire novella might well be reprinted here for, in a sense, it is the best possible comment on the Japanese film under discussion. The picture is Ikiru (in English To Live), and the themes of the two works are the same: the realization of the approach of death; the bewilderment and anger at the course of one’s past life; the shame of fear; the knowledge that the world has already discarded you, that you merely make others uncomfortable; the inescapable holiness of your last days because you are already in touch with great secrets or the absence of them; and the revelation that only dying is death, that once a man dies, death is finished and all that remains is the man’s life—as it
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